CREEM Magazine / Relaunch
Overview
CREEM returns, and the film returns with it: hand-drawn 2D in the magazine’s own irreverent language, Boy Howdy loose in a Detroit street full of rock history and bad behaviour. Drawn frames, hand-timed, wobble left in, exactly the technique the brand was born in.
The result
Press Kitchen coverage report, LOBO Creem launch video campaign, July 2022
4.43M
combined audience of the outlets that covered the launch
15.1K
estimated lifetime views of the coverage
5
pieces of press in the first week, Adweek to LBB
68
average domain authority of the outlets
The cast
CREEM spent the seventies taking the piss out of the people it put on the cover, so the film had to earn the same right. Nobody was traced and nobody was flattered. Every musician on the street was drawn as a character first, with the joke built into the pose rather than added on top, then dropped into a Detroit that was illustrated block by block behind them.

The poster: the CREEM building, and everyone who ever made the cover

A cover: Not Coldplay

Lemmy, halo included

Alice Cooper and the snake

Bob Marley, wings and a ball

Respect, spelled out

Devil Gate Drive

The pinball wizard, playing by feel

Pussy Riot, cleaning out the machine

A deal at the crossroads

A shop window on the street: Supremes

A cover: Is This It?
Behind the work
Behind the work
America’s only rock ’n’ roll magazine came back from the dead, so LOBO drew it a congregation: fifty years of legends as living characters, each one animated with the swagger of the real thing. These are the loops, straight from the character studio.
Freddie, leaning on the mic stand
Dylan, cue cards and all
Alice Cooper
Sid & Nancy
Angus duck-walks past Chuck
The Beastie Boys, fighting for their right
The Who, mid windmill
Pussy Riot, balaclavas on
Credits
Client
CREEM Magazine
Agency
Fable.Works
Creative team and agency producers
Rick Williams
Marcel Yunes
Production company
LOBO
Directors
Mateus de Paula Santos
Thiago Martins
Executive producer
Luis Ribeiro
Art director
Thiago Martins
Concept art
Bruno Guma
Felipe Lopes
Sérgio Filho
Head of production
Clara Morelli
Producers
Rafael Passos
Pablo Zurita
Head of post
Marcelo Barbosa
Post producer
Melina Prior
Animation
Francis Viveiros
Gian Burani
Bruno Tedesco
Thiago Martins
Maurício Reis
Lighting, render and compositing
Maurício Reis
Music
Human
Song
Southside, written and performed by Aquarius Void
Audio post
Post Human
Sound design and mix
Daryl Pinsdorf
Edit and titles
Uppercut
More work